tag:blogger.com,1999:blog-39579672008-01-24T00:39:15.394-08:00Fallentreefrogdemonnoreply@blogger.comBlogger1125tag:blogger.com,1999:blog-3957967.post-847610992002-11-19T05:36:00.000-08:002002-11-30T15:34:54.000-08:00<body bgcolor="lavender"></b><font color=black><h4>Coming soon to The Psyche Arc</h4></font color><br><br><font color=purple><h3>In which Angel goes on a quest to save a friend...</h3><br><h1>fallen<font color=teal>fallen<font color=fuchsia>fallen<font color=turquoise>fallen<font color="sky blue">fallen</h1><hr><font color="purple"></b><h5><center>Written by Jocelyn Rose</center><hr>
<br /><h3><font color="teal"><center>Teaser</h3></font></center><hr>
<br />INT. HYPERION LOBBY - DAY
<br /><BR>
<br />FRED and GUNN are entering, full of the joys of diner pancakes. We see CORDELIA and WESLEY behind the counter, engaged in admin-type tasks. They look up as they see Fred and Gunn approaching.
<br /><br>
<br />CUT TO:
<br /><br>
<br />Fred's face in closeup as she opens her mouth to say 'Good morning' or whatever - we'll never know because just then
<br /><br>
<br />Crash! If you can imagine a distant, quiet, non-threatening crashing sound, and Fred
<br /><br>
<br />looks up
<br /><br>
<br />and the crashing continues, louder now, and a little dust falls on to Fred's face, which is still registering surprise, not alarm
<br /><br>
<br />and the crashing noise gets louder still, and bits of plaster are falling now; Fred's starting to look a little worried
<br /><br>
<br />and as a last ginormous surroundsound crash begins Fred is snatched out of frame and we
<br /><br>
<br />CUT TO:
<br /><br>
<br />A wide shot of the lobby so we can see that Gunn has grabbed Fred and thrust her aside as with a final apocalyptic WHUMPH the ceiling falls in and a figure crashes through and lands smack in the middle of the floor, on its back and with arms outstretched, and with the sudden silence we
<br /><br>
<br />CUT TO:
<br /><br>
<br />PSYCHE, her eyes closed, lying amid the ruins of the hotel roof and several floors.
<br /><br>
<br />A beat.
<br /><br>
<br /><center>CORDELIA (OS)
<br />Deja vu much?
<br /><br>
<br />END OF TEASER<hr>
<br /><h3><font color="teal">ACT ONE</FONT></h3></CENTER><hr>
<br />INT. HYPERION HOTEL FOYER - DAY
<br /><BR>As before, except that ANGEL has appeared and is running down the stairs as Gunn helps Fred up and brushes her off, and the other two emerge from behind the counter. Cordelia is looking up at the damage, but the others are all staring at Psyche. They gather round her in a ring.
<br /><br><center>FRED
<br />(hushed)
<br />Is she dead?</center>
<br />Angel pushes away some debris, kneels down beside her.
<br /><br><center>ANGEL
<br />She's immortal.
<br /><br>
<br />GUNN
<br />What, like you, you mean?
<br /><br>
<br />ANGEL
<br />No: truly immortal.
<br /><br>
<br />WESLEY
<br />She can't be killed at all?</center>
<br />Angel has his hands on each side of Psyche's head.
<br /><br><center>ANGEL
<br />That's the usual definition...</center>
<br />Meanwhile Cordelia is still looking up...until suddenly she grabs Angel's shoulders and yanks him violently backward away from Psyche. He lands, sprawling; looks up at her in surprise.
<br /><br><center>ANGEL
<br />Cordy, what...?</center>
<br />CUT TO:
<br /><br>
<br />Psyche, in closeup. Bright sun suddenly on her face.
<br /><br><center>CORDELIA (OS)
<br />Hole in the roof.</center>
<br />CUT TO:
<br /><br>
<br />Hole in the roof. Yup. Sunlight streaming in.
<br /><br>
<br />CUT TO:
<br /><br>
<br />INT. THE SAME - MOMENTS LATER
<br /><br>
<br />Psyche has been laid on one of the sofas, well away from the shaft of sunlight, and Angel, kneeling beside her once more, is unbuttoning - do the higher beings have buttons? Anyway, whatever she's wearing, he's undoing it, and exposing her chest.
<br /><br>
<br />CUT TO:
<br /><br>
<br />Cordelia, in closeup, looking a bit uncomfortable.
<br /><br>
<br />CUT TO:
<br /><br>
<br />Angel's hand on Psyche's left breast.
<br /><br><center>CORDELIA
<br />Um...Angel?
<br /><br>
<br />ANGEL
<br />Hmm?</center>
<br />CUT TO:
<br /><br>
<br />Cordelia
<br /><br><center>CORDELIA
<br />Are you sure you should be doing that?</center>
<br />CUT TO:
<br /><br>
<br />Angel, absorbed, not paying attention.
<br /><br><center>ANGEL
<br />I've seen it all before.
<br /><br>
<br />CORDELIA (OS)
<br />WHAT?</center>
<br />Angel looks round and up at her, surprised.
<br /><br>
<br />CUT TO:
<br /><br>
<br />Cordelia. Rant mode.
<br /><br><center>CORDELIA
<br />Do you know that ever since Angel Investigations was set up, every single woman who's walked through that door
<br />(a beat)
<br />- and the other door we had before it got blown up - has had the hots for you...</center>
<br />CUT TO:
<br /><br>
<br />Fred, looking embarrassed.
<br /><br>
<br />CUT TO:
<br /><br>
<br />Cordelia again, now in full marching-about flow.
<br /><br><center>CORDELIA
<br />...and if it wasn't for my efforts you'd have turned evil ages ago...
<br />(a thought)
<br />You aren't evil, are you?
<br /><br>
<br />WESLEY
<br />Cordelia, I don't think Angel meant that he...
<br /><br>
<br />ANGEL
<br />Yes I did, but I can't see how this is anyone else's business...</center>
<br />A beat.
<br /><br><center>CORDELIA
<br />Hallo? Perfect happiness plus you equals evil you and this is not our business why?</center>
<br />A beat, while everyone tries to work this one out.
<br /><br><center>ANGEL
<br />Look, Cordelia, I'm just trying to find out what's wrong. OK?</center>
<br />He turns back to Psyche and puts both hands on her, closes his eyes.
<br /><br>
<br />A beat.
<br /><br><center>ANGEL
<br />And there is something. Something in her heart.</center>
<br />CUT TO:
<br /><br>
<br />INT. THE SAME - LATER
<br /><br>
<br />Close up on MEERNA, the blue-haired mystical friend of Lorne. Psyche's POV - or it would be, if Psyche were looking at anything.
<br /><br><center>MEERNA
<br />You've bitten off more than you can chew this time, haven't you?</center>
<br />Camera pulls back to show her standing with her hands on her hips looking down at Psyche, who's still lying on the sofa. Angel and co are still there too, looking on.
<br /><br><center>MEERNA
<br />Do you know this is one of the higher beings?
<br /><br>
<br />WESLEY
<br />That's why we called on you. We don't know what to do for her.
<br /><br>
<br />MEERNA
<br />(ever so slightly flattered)
<br />Well, let's see then.</center>
<br />She leans down, puts her hands on Psyche's chest as Angel did.
<br /><br><center>MEERNA
<br />(concerned)
<br />Oh boy.</center>
<br />She draws her palms together and raises her hands away from Psyche, and as she does we see
<br /><br>
<br />she's holding an arrow, a white shiny mystical-type arrow which she's pulling out of Psyche's heart. A full-length arrow that there wouldn't have been room for in real space. It lights up the whole of the lobby and makes their intent faces look unearthly.
<br /><br>
<br />Meerna straightens up.
<br /><br><center>MEERNA
<br />OH boy.</center>
<br />She holds the arrow out to Angel. As he takes it
<br /><br><center>MEERNA
<br />Have YOU got problems.
<br /><br>
<br />END OF ACT TWO</center>
<br /><HR>
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<br /><H4><FONT COLOR="FUCHSIA">More soon but, in the meantime, the rest of the Psyche scripts are <a href="http://www.psychearc.blogspot.com">here</a>.<br>treefrogdemonnoreply@blogger.com